Short and sweet, but also deadly.
As before, try articulated (musically, not hammered), then try legato to show up double actions and poor tone areas.
Note the rhythmic swing to it, between a hint of 6/8, moving back to 3/4.
Beware of incorrect D# fingerings (indicated with an ‘o’). Middle D# is similar to middle D, needing the top finger off in order to hear the pure sound. Get it right now, at slow speed, and avoid adding a problem that will bug you for years to come (especially in the higher grades).
Always turn these into real pieces with your musicality and fabulous tone.